Blog qui collecte des image fait en mode asccii.
Extrait du manifeste de la poésie surréaliste d'Isidore Isou.
Les eccentric engineers sont avant tout des artistes, mais ils sont aussi dotés du super-pouvoir des développeurs informatiques : la programmation. L’ancien étudiant en art Kyle McDonald mêle vidéo en temps réel et tweets postés par des internautes, quand Zach Gage programme un Space Invaders où chaque alien détruit est un fichier qui s’efface du disque dur.
Research on artificial intelligence has taken major steps forward in recent years, especially
in terms of machine learning. This has led artists to probe the imaginations of neural networks to create strange new audiovisual works, while activists and journalists have used those same algorithms to organise and visualise stories that stem from social and new media. In his talk, Gene Kogan will examine this recent evolution and its progress from the perspective of a media artist and an independent researcher. He will speculate about the infusion of AI into our everyday devices, and their impacts on our interactions with technologies and with each other.
«This happened to coincide with a time in which I had painted myself out, so I welcomed this new experience. I was shown how to prepare a computer program and how to transfer it to an IBM punch card by machine. The alphanumeric characters we could ‘draw’ with were: the alphabet, ten numerals and eleven symbols, such as periods, dashes, slashes, etc….It took me some time to get used to this medium. What I intended to make did not always correspond to the program I thought I had punched in the card. I made many mistakes which the computer, in its logical way, would not print. The intricacies and possibilities seem endless and I have spent a great deal of time simply trying to master the mechanics of this particular technique.»
Frederick Hammersley - 1969
Eightycolumn is a network of artists, musicians and designers using, teaching, learning, writing free software as part of their practice.
Blog qui archive les expériences dans les domaines de l'art et du design qui explorent les relations entre l'édition et la technologie numérique.
Une histoire du net art des années 80 à nos jours.
World Brain traite de l’architecture des data centers, de l'intelligence collective des chatons, du trading à haute fréquence, de la survie dans la forêt à l’ère de Wikipédia, du bricolage de rats transhumanistes…
The receipt racer combines different in and output devices into a complete game. It was made during the "Let's feed the future workshop", part of the OFFF Festival in Barcelona on June 8th 2011.
JavaScript Hacks and Creative Coding.
Animations in your URL bar. (Doesn't work in Safari.)
Evening Class is a self-organised design education experiment; flexible environment where participants can cultivate common interests, develop their research and collectively shape the class’s agenda.
Memo autotrace by LAFKON Publishing
Raphaël Bastide is an artist and designer based in Paris. His work is mainly related to the digital and computer program culture. His projects include installations, online and offline performances, websites and custom made programs.
This is a virtual DEC PDP-1 emulated in HTML5/JavaScript running some early graphics demonstrations.
Radical Software, revue historique consacrée à la vidéo, a été lancée par Beryl Korot, Phyllis Gershuny et Ira Schneider. Le premier numéro a vu le jour au printemps 1970, peu de temps après que l'équipement vidéo portable et bon marché soit devenu disponible aux artistes et autres vidéastes potentiels. Bien que les recherches universitaires sur l'histoire de la vidéo artistique se réfèrent à Radical Software, on ne trouve que peu d'endroits où les chercheurs peuvent consulter l'intégral de son contenu. Les copies individuelles sont rares, et on ne compte que quelques collections complètes. Ce site Web rend la revue disponible et navigable sur Internet.